VAL SAMUELSON (1913 - 2000) was born in Barrett, Minnesota. He studied at the Minnesota School of Art and the Institute of Fine Arts. He worked as a sign painter in Minnesota and as art director for two advertising agencies in Los Angeles before he surfaced in Palm Springs in 1953. He suffered from eye problems and had endured several years of complete blindness. Samuelson healed himself, to a degree, with eye exercises and hypnosis–a lifelong interest.
Samuelson had a diverse career, working as a professional photographer, a cartoonist, a children’s book illustrator and a board game designer. He starred in the Art in Action show for Palm Springs’ TV station KMIR. As well as teaching many fledgling painters in private classes, Samuelson was one of the dreamers behind the Idyllwild Arts Academy, the first independent boarding high school for the arts in the western United States.
August 26, 2019
August 19, 2019
"What Makes Day and Night" by Franklyn M. Branley, illustrated by Helen Borten (1961)
HELEN BORTEN (1930 - ) was born in Philadephia, PA, and graduated from the Philadelphia Museum College of Art. Borten launched her career with the 1956 publication of Little-Big Feather, written by Joseph Longstreth and illustrated by Borten. The New York Times chose it as a Best Illustrated Book for that year. Do You Hear What I Hear?, which Borten both wrote and illustrated, was published in 1959, followed by Do You See What I See? the following year. The main body of her work occurred in the 1960’s, working alongside writers like Franklyn M. Branley and Augusta Goldin to illustrate the comprehensive series of Let's-Read-and-Find-Out Science books.
August 12, 2019
"A Book of Children's Rhymes & Verse" illustrated by Janet & Anne Grahame Johnstone (1977)
JANET GRAHAME JOHNSTONE (1928 – 1979) and ANNE GRAHAME JOHNSTONE (1928 – 1998) were twin sisters and British children's book illustrators best known for their delicate, detailed prolific artwork and for illustrating Dodie Smith's classic book The Hundred and One Dalmatians.
The twins were born in 1928 to successful British portraitist and costume designer Doris Zinkeisen and her husband, Captain Edward Grahame Johnstone. They attended the Heathfield School in Ascot, Berkshire during World War II; their artistic bent nurtured both at home and at school. Later, they attended Saint Martin's School of Art in London, where they studied period clothing styles before moving to Suffolk in 1966. The twins never married and lived with their mother until Janet's death in 1979 and Doris's death in 1991.
The Johnstone sisters' popularity took off in the early 1950s, when they were noticed by publishers and acquired a growing reputation as talented illustrators. They always worked together, passing drawings back and forth across their studio until both twins were satisfied with the final outcome. Janet specialized in animals and birds. Anne focused on the period costumes that so dominated their work. Because of their symbiotic collaboration, until the death of Janet in 1979, there was never a book illustrated under either one of their names alone.
The first important book the twins worked on was The Hundred and One Dalmatians by Dodie Smith, who was already a very successful playwright and author. In 1956 she invited them to illustrate her first children's book, and it was an immediate success, captivating parents and children alike. Eventually, Smith's book was made into a feature-length animated film by Walt Disney.
The twins' further success with later Smith books, The Starlight Barking and The Midnight Kittens, made them the most widely recognized illustrators of children's books in England at the time. Their business association developed into an enduring friendship until Smith died in November 1990.
Over the course of their career together, the sisters illustrated more than 100 books. These included classic fairy tales by Hans Christian Andersen, the Brothers Grimm, J. M. Barrie, Charles Kingsley, a series based on Biblical tales, Roger Lancelyn Green's Tales of the Greeks and Trojans (Purnell and Sons, London, 1963), as well as a large variety of rhyme and modern story-collections. Early commissions included Enid Blyton's Tales of Ancient Greece (1951), and new illustrations for a shocking old German children's morality book, Struwwelpeter (1950). The Johnstones illustrated many of Paul Gallico's magical children's stories, working on Manxmouse, The Man who was Magic, and Miracle in the Wilderness. Their most collectible book to date is Enid Blyton's 1979 Dean book, the ‘De Luxe edition’ of The Enchanted Wood.
Most of their work was done designing Christmas cards and illustrating numbers of large, brightly colored gift books, mainly published by Dean. Their full-page illustrations surrounding nursery rhymes, fairy tales or children's prayers were in the tradition of undemanding effusiveness set by older artists like Hilda Boswell, still hugely popular with the public though increasingly frowned on by critics.
Learn more about the illustrators.
The twins were born in 1928 to successful British portraitist and costume designer Doris Zinkeisen and her husband, Captain Edward Grahame Johnstone. They attended the Heathfield School in Ascot, Berkshire during World War II; their artistic bent nurtured both at home and at school. Later, they attended Saint Martin's School of Art in London, where they studied period clothing styles before moving to Suffolk in 1966. The twins never married and lived with their mother until Janet's death in 1979 and Doris's death in 1991.
The Johnstone sisters' popularity took off in the early 1950s, when they were noticed by publishers and acquired a growing reputation as talented illustrators. They always worked together, passing drawings back and forth across their studio until both twins were satisfied with the final outcome. Janet specialized in animals and birds. Anne focused on the period costumes that so dominated their work. Because of their symbiotic collaboration, until the death of Janet in 1979, there was never a book illustrated under either one of their names alone.
The first important book the twins worked on was The Hundred and One Dalmatians by Dodie Smith, who was already a very successful playwright and author. In 1956 she invited them to illustrate her first children's book, and it was an immediate success, captivating parents and children alike. Eventually, Smith's book was made into a feature-length animated film by Walt Disney.
The twins' further success with later Smith books, The Starlight Barking and The Midnight Kittens, made them the most widely recognized illustrators of children's books in England at the time. Their business association developed into an enduring friendship until Smith died in November 1990.
Over the course of their career together, the sisters illustrated more than 100 books. These included classic fairy tales by Hans Christian Andersen, the Brothers Grimm, J. M. Barrie, Charles Kingsley, a series based on Biblical tales, Roger Lancelyn Green's Tales of the Greeks and Trojans (Purnell and Sons, London, 1963), as well as a large variety of rhyme and modern story-collections. Early commissions included Enid Blyton's Tales of Ancient Greece (1951), and new illustrations for a shocking old German children's morality book, Struwwelpeter (1950). The Johnstones illustrated many of Paul Gallico's magical children's stories, working on Manxmouse, The Man who was Magic, and Miracle in the Wilderness. Their most collectible book to date is Enid Blyton's 1979 Dean book, the ‘De Luxe edition’ of The Enchanted Wood.
Most of their work was done designing Christmas cards and illustrating numbers of large, brightly colored gift books, mainly published by Dean. Their full-page illustrations surrounding nursery rhymes, fairy tales or children's prayers were in the tradition of undemanding effusiveness set by older artists like Hilda Boswell, still hugely popular with the public though increasingly frowned on by critics.
Learn more about the illustrators.
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